The Lumber Room-Nicholas
Nicholas
is the protagonist of the short story, “The Lumber Room” by Saki. Though no
physical description or age is given, the powerful character description
depicts an intelligent child with a very creative imagination. Nicholas is
portrayed as a child who is capable of creating and controlling events. The shrewd
way he does this depicts the intelligence of the character too. For example, at
the beginning of the story, he creates a situation where the aunt has ‘been
proved to be profoundly in error’ in matters about which she had ‘expressed the
utmost assurance’. Further the dialogue which ensues after the children are
sent on the hastily planned expedition conveys that Nicholas uses impromptu
strategies to put the aunt who does not have his quick, sharp brain into a
difficult position as she is made aware of the truth, i. e. the children would
not enjoy the expedition, by Nicholas. She loses control of the situation and
changes the subject as she is confronted with loss of face. Additionally, the
question and answer session between Nicholas and the aunt while she was in the
rain- water tank not only conveys his shrewdness, but also his maturity in
strategic handling of the situation.
"Now
I know that you are the Evil One and not aunt," shouted Nicholas
gleefully;
Thus,
Nicholas excels in creating and controlling situations to his benefit during a
very short period of time especially when pitted against his slow witted aunt. Nicholas’s
maturity is especially clear when compared with the juvenile behaviour of the
other children. Nicholas does not shed a tear when he is excluded from the
expedition though it is expected from him. But, in contrast his girl-cousin
howls and weeps when she scrapes her knee and ‘the tightness of Bobby's boots
had had disastrous effect on his temper’. The other children suffer without
complaining, but Nicholas is not afraid of the aunt and is smart enough to
point out her flaws. He criticizes her child rearing capabilities pointing out
her lack of attention to the children’s needs, which is suggested through the
following line.
‘You
often don't listen when we tell you important things’.
Thus, it
seems that he is the only child who rebels against the tyranny of the aunt. But,
what is admirable in his personality is that he remains cool and composed in
all situations. His maturity is shown, yet again when his assessment of the
outcome of the expedition is proven correct. The reader does not see happy
children at the tea table describing the fun time they had at the Cove.
Yet, we
do not witness a gloating Nicholas as evidence around him was proof enough for
the fact that the expedition had lost its main purpose: make Nicholas repent
his deeds. Furthermore, Nicholas has the mature ability of escaping from the
depressing atmosphere around him to enter a fantasy world of his liking
recollecting happy events.
Another
characteristic is the power of his vivid imagination which is shown through his
response to beauty. In the lumber room, Nicholas sees a tapestry where ‘a man,
dressed in the hunting costume of some remote period, had just transfixed a
stag with an arrow’. The tapestry becomes a ‘living-breathing story’ for
Nicholas. His creative ability is brought out vividly as he builds the story
and pictures the fate of the hunter.
‘Nicholas
sat for many golden minutes revolving the possibilities of the scene; he was
inclined to think that there were more than four wolves and that the man and
his dogs were in a tight corner’.
Later,
Nicholas recalls the scene on the tapestry during ‘fearsome silence’ at the tea
table. He creates the end to the story:
‘The
huntsman would escape with his hounds while the wolves feasted on the stricken
stag’.
Furthermore,
his imagination is always ready to animate the inanimate. The sight of the colourful
mandarin duck makes him commence on ‘assigning a life-history to it’. All
examples above convey and strengthen the idea that Nicholas is not a mere
dreamer, but has a vivid imagination and creative power which allows him to
escape the hostile world outside. Nicholas is Intelligent and has a sharp,
quick mind. The logical built up of the argument to prove that it is not the
aunt, but ‘the Evil One tempting him to be disobedient’ conveys how quick
thinking and intelligent he is. Nicholas is smart. According to Nicholas, when
compared with the lumber room,
‘The
gooseberry garden was a stale delight, a mere material pleasure’.
Thus, he
is smart enough to prioritize his sources of pleasure. He is able to discern between
the sublime bliss gained through the beauty of the artefacts in the lumber-room
over the ‘material pleasure’ obtained through frolicking in the gooseberry
garden. The gooseberry garden may provide fruit eat and he may be able to play
in it. These would give him ‘pleasure’ which is physical. But, supreme
aesthetic delight would come from the time spent in the lumber room. So, he is
smart and intelligent enough to decide and choose the lumber room over the
gooseberry garden.
Nicholas
is not all good. Saki’s realistic portrayal of his protagonist as a mischievous
rebel shows the complexity of Nicholas’ complex personality. The aunt is the
victim of his mischievous rebellious nature. Nicholas is a rebel as he does not
follow the conventional standard behaviour of a child; He mocks his aunt
proving that she is wrong and is not truthful.
‘You said
there couldn't possibly be a frog in my bread-and-milk; there was a frog in my
bread-and-milk.’
The
simple hidden goal of this action would have been to avoid the hated tasteless
meal. Further, one of the lies of the aunt’s is craftily exposed by Nicholas in
the following conversation between the aunt who is in the rain-water tank and
Nicholas.
"Will
there be strawberry jam for tea?" asked Nicholas innocently.
"Certainly
there will be," said the aunt.
But
Nicholas joyfully states that previously she had said ‘there wasn't any’. Thus,
Nicholas proves that though the aunt tries to instil right behaviour patterns
in the children she herself does not set a good example.
Source: https://www.litspring.com/2021/03/character-of-nicholas-in-lumber-room-by.html
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