The Village in the Jungle By Leonard Woolf

Sexuality/Brutality/Lust

The Village in the Jungle tells the story of twin sisters, Punchi Menika and Hinnihami, each of whom has a "strangeness and wildness" associated with the jungle.

Each is brought under the thumb of a dominant man.

Leonard's description of the near rape through which a young man, Babun, claims Punchi Menika as his mate: "She allowed him to take her into the thick jungle, but she struggled with him, and her whole body shook with fear and desire as she felt his hands upon her breasts. A cry broke from her, in which, joy and desire mingled with the fear and the pain”. However, frightening Babun's lust, Punchi Menika's married life may be more chilling, for soon her "wildness" becomes "dimmer and vaguer": "She became the man's woman, the cook of his food, the cleaner of his house, and bearer of his children".

Hinnihami fares worse. A hideously scarred old shaman, Punchirala, begins to hanker for her, and despite her elaborate efforts to resist him, Hinnihami finds that the old man's magic is potent enough to endanger her father's life. Reluctantly, Hinnihami agrees to be given to Punchirala.

But, she defiantly interprets the agreement to mean that she will be his sexual partner for only one night.

Nevertheless, she becomes pregnant, and soon after giving birth, she begins to suckle an orphaned fawn alongside her daughter, Punchi Nona. The girl dies, and Hinnihami comes to think of the deer, which she continues to nurse, as her son. When drought and other ills descend on the village, its superstitious inhabitants, blaming Hinnihami's aberrant behavior, surround the deer to stone it. Hinnihami tries to intervene, but they throw her to the ground, tearing her jacket to shreds, and beat her. The deer dies later that day; Hinnihami is dead by the next morning. The narrative then turns back to Punchi Menika. She is soon pursued by a powerful older man, Fernando, who has her husband sent off to prison, where he dies; Fernando himself is shot dead by Punchi Menika's father, who is then imprisoned for life. The novel ends with Punchi Menika alone in the deserted village, waiting for death, which comes in the ambiguously metaphoric form of a wild boar gliding into her hut with gleaming white tusks.

He felt that The Village in the Jungle expressed his growing anti-imperialism after leaving the civil service, and the respect he shows the native people of Ceylon in the novel.

Plot

The novel describes the lives of a poor family in a small village called Beddagama (literally, "The village in the jungle") as they struggle to survive the challenges presented by poverty, disease, superstition, the unsympathetic colonial system, and the jungle itself. The head of the family is a hunter named Silindu, who has two daughters named Punchi Menika and Hinnihami. After being manipulated by the village authorities and a debt collector, Silindu is put on trial for murder.

The story of Village in the Jungle is full of acrimony. It is disgusting to see that human beings are subjected to such levels of torture and misery by their own neighbors and the administrators. Unfortunately the story of the novel is not unique only to Baddegama. It is the story of the rural Sri Lanka during colonial times. The story of the rural villages is not that different even today with all the advancement of technology and democracy we are supposed to enjoy.

Leonard Woolf selects a few characters of the village Baddegama in the deep down south of Sri Lanka and tells us a story about how the dreams of a young couple, Babun and Punchimenika shatter away due to the lewdness of a trader who comes to the village and subsequent troubles created to separate Babun from Punchimenika.

In the backdrop of the main story, there is another story about Punchimenika’s younger sister, Hinnihamy being forced to marry an old and vicious indigenous medical practitioner and her subsequent death by the villagers due to the suspicions inculcated against her in the villagers’ mind by the medical practitioner as she refuses to be his wife.

Silindu, the protagonist of the novel leads a miserable life squeezed in to the jungle and the bureaucracy. He is as silent as a deer and becomes violent as a provoked water buffalo when it is too much for him to tolerate the wickedness of the world.

There is a Sinhala language movie with the same name based on the novel with lead roles played by Wijaya Kumarathunga, Malani Fonseka, Joe Abeywickrama, Tony Ranasinghe, D. R. Nanayakkara and Nadeeka Gunasekara. Dr. Arthur C. Clarke makes a cameo appearance. The film is directed by none other than Lester James Pieris. (Wanninayake)

The Village in the Jungle (1913) was his first novel, based on his administrative and personal experiences when working as an Assistant Government Agent in the Hambantota District of Ceylon. Mirroring Woolf’s own disillusionment with the imperial project, the novel traces its protagonist Silindu’s struggle against the slow but steady bureaucratization of life that comes with the account books, gun licenses and courthouses of colonial rule, which ultimately leads him to murder. The novel is a strange counterpoint to Woolf’s other writing from his time in Ceylon. While his official administrative diaries show meticulous records of legal proceedings, pearl fishing and harvesting, The Village in the Jungle finds facts difficult to grapple with. Dominated by a narrative voice from within Silindu’s community, the novel nevertheless refuses to put forward definite opinions. Using the master-trope of the modernist colonial novel, disorientation, all the characters and events that Woolf writes about are, like the jungle, shrouded in a sense of unknowability.

The novel is an exceptional contribution to the modernist period, largely because of its unusual treatment of racially other characters.

The Village in the Jungle has a single white character (a magistrate, possibly based on Woolf himself), and escapes resorting to stereotypes of the “native” as uncivilised, immature and dangerous. Instead, a more complex portrait of Sinhalese colonial society is created. Rather than simply representing the colonial encounter in terms of binaries of us/them, the novel demonstrates that communities are built not just on race, but also on affect and fellow- feeling. Woolf’s fellow colonisers, as the volume of his autobiography dealing with Ceylon, Growing, shows us, had little in common with him; he in turn was disgusted by their artificiality and stylised behaviour. Similarly, while Silindu’s oppressors, headmen and petty moneylenders, are definitely instruments of the colonial state, they are Sinhalese like him, and yet see nothing but bestiality in him that they at once exploit and are afraid of. The magistrate, on the other hand, not only recognizes the suffering he sees in Silindu’s face when he is brought before him on charges of murder, but identifies with his pain in a manner that renders barriers of race and colour irrelevant.

The aftermath of The Village in the Jungle spurred Woolf on to write a series of tracts that argued against the British Empire, both as an economic as well as a moral-political construct. He also went on to actively propound these views through his associations with the Labour Party and Fabian Society. He was only to visit Ceylon again in 1960, nine years before his death. The novel, in its centenary year of publication, remains today a central text in the Sri Lankan colonial literary canon.

Leonard Woolf`s village in the jungle is a fascinating novel written about the life of the peasants in Sri Lanka during the British rule. The story takes place in a remote jungle village called Baddegama . The writer recalls the strange happenings not only within Baddegama but also in its surroundings. The story is between a high cast family and a low cast family and how a foreign man who comes to the village influences these two families. The story goes on describing how the low cast family is suffered by the high cast family and their friends in the village. 

In 1980, Sir Lester James Peries released a superb film based on this well known novel, naming it Baddegama . The film helped the novel to be as real as it was in the reader`s imagination as it gave faces to the main characters such as Silindu , and his two daughters, Punchi Manika and Hinnihamy , Babun , also not forgetting the cruel native doctor Punchirala , the village headman Bebehamy and Fernando the man