London by William Blake
I wander thro’ each charter’d street,
Near where the charter’d Thames does flow.
And mark in every face I meet
Marks of weakness, marks of woe.
In every cry of every Man,
In every Infants cry of fear,
In every voice:
in every ban,
The mind-forg’d manacles I hear
How the Chimney-sweepers cry
Every blackning Church appalls,
And the hapless Soldiers sigh
Runs in blood down Palace walls
But most thro’ midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear
And blights with plagues the Marriage hearse
Popularity
of “London”: William Blake, a famous English poet
and painter, wrote ‘London’. It is a narrative poem about the
sufferings during the industrialization. It was first published in 1974 in his
volume, Songs of
Experience. The poem speaks about the speaker’s journey through
the streets of London, portraying the negative aspects of that city. Its also
deals with child labor and slavery.
“London”
As a Representative of Sorrow: The poem reflects upon the poet’s experiences
during his life in London. He narrates what he sees and hears while wandering
in the streets of London. The poem begins when the speaker is walking along the
Thames River. As he travels along, he encounters many weary and mournful faces.
He continues observing and hears crying and sounds of suffering because people
are forced to work in horrid condition. Also, he expresses resentment on how
poverty and sickness have doomed everything around him. He continues to
describe the miserable cries of chimney sweepers, darkening churches and the
soldiers who died because of war. At midnight, he hears the prostitute cursing
his baby’s cry. This curse would surely affect the innocence and purity of that
tiny soul. Thus, London forces people to live a life of misery.
Major Themes in
“London”: Effects of industrialization, poverty, materialism
and child labor are the major themes of this poem. The poet expresses the
darker aspects of London. He discusses how the city is plagued with sickness,
poverty and moral corruption.
People are not getting legitimate treatment with resultant agony and distress.
Death is also one of the prominent themes of this poem. He comments on how the
church walls are covered with blood due to wars. Hence, he also tells how the upper
class tormented the working people, including children.
Analysis
of Literary Devices Used in “London”
Literary devices are
tools used by writers to convey their emotions, ideas, and themes to make texts
more appealing to the reader. William Blake has employed some literary devices in
this poem to picture the image of London in the early 18th century.
The analysis of some of the literary devices used in this poem is given below.
- Assonance: Assonance is
the repetition of
vowel sounds in the same line. For example, the sound of /e/ in “In every
voice: in every ban”.
- Consonance: Consonance is
the repetition of consonant sounds in the same line. For example, the
sound of /s/ in “Marks of weakness, marks of woe”.
- Alliteration: Alliteration is
the repetition of consonant sounds in the same line in quick succession.
For example, the sound of /s/ in “And the hapless Soldiers sigh”.
- Enjambment: It
is defined as a thought in verse that does
not come to an end at a line break; rather,
it rolls over to the next line. For example,
“But most thro’ midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear
And blights with plagues the Marriage hearse.”
- Imagery: Imagery is used
to make readers perceive things involving their five senses. For example,
“I wander thro’ each charter’d street”, “How the Chimney-sweepers cry” and
“Runs in blood down Palace walls.”
- Symbolism: Symbolism means
to use symbols to signify ideas and qualities, giving them symbolic
meanings that are different from the literal meanings. Here, “soldier’s
sigh” symbolizes the state of frustration, “chimney sweeper” is the symbol of
death, darkness and
destruction and “harlot’s curse” symbolizes the prostitute’s pathetic life
experiences.
- Metaphor: It
is a figure
of speech in which an implied comparison is
made between the objects different
in nature. For example, “The mind-forg’d manacles I hear” is a metaphor for the
hardships of the people working in industries, which is equal to working
in prison.
- Anaphora: It
refers to the repetition of a word or expression in the first part of some
verses. The below lines express the sorrow of the citizens suppressed
under the upper class.
“In every cry of every Man,
In every Infants cry of fear,
In every voice: in every ban.”
Analysis
of Poetic Devices Used in “London”
Poetic and literary devices are
the same, but a few are used only in poetry. Here is the analysis of some of
the poetic devices used in this poem.
- Stanza:
A stanza is
a poetic form of some lines. There are four stanzas in this poem, with
each having four lines in it.
- Quatrain: A quatrain is a
four-lined stanza borrowed from Persian poetry. Here, each stanza is
quatrain as the first one.
- Rhyme Scheme: The
poem follows the ABAB rhyme scheme and
this pattern continuous till the end.
- End Rhyme: End rhyme is
used to make the stanza melodious. For example, “cry/sigh”, “hear/tear”
and “flow/woe.”
The lines stated below are
suitable for explaining the life of people leading a life of extreme misery and
longing for liberation from oppression.
“In every
cry of every Man,
In every Infants cry of fear,
In every voice: in every ban,
The mind-forg’d manacles I hear.”
The Sick Rose
O rose, thou art sick!
The invisible worm,
That flies in the night,
In the howling storm,
Has found out thy bed
Of crimson joy,
And his dark secret love
Does thy life destroy
In this small poem, 'The Sick Rose' we see Blake's ingenuity and
artistic supremacy. In a few deft strokes Blake carves out a crimson rose
attacked by a canker worm. The invisible worm is one that flies in night and
'howling storm'. The worm is engaged in a gradual seduction of the rose. It is
destructive to the life of the rose.
Sexual Implications:
The idea expressed by Blake has also been interpreted as having sexual implications. Its subject is copulation. Based on Freudian analysis the rose can be considered as the female and the worm as male. These symbols, or the idea behind them, stirs suppressed feelings of indecency and severe censure, guilt and intimidation. These feelings of inhibition are actually associated with sexual experience especially in the adolescent mind. The libidinal instincts in the adolescent mind are frequently repelled and suppressed due to social prohibition and superstition. The worm, to suit this idea, is aptly described as 'invisible' and it 'flies in the night'. The worm is alive and active at night; and this referance to night hints at the secrecy of the thing as well as its destructive impact. This propitious time that is the night, shows that he comes like a vicious creature vilify and spread inflection into the object he chooses. 'The worm prefers to fly not merely at night but also when the storm blows and there is commotion in the air But all the greater is its power and vigour since it can even withstand the stormy atmosphere. If the worm excels in strength the rose is luxurious. Its cushy netals of joy welcome the strength of the worm though it turns sick later. Alongwith the other aspects we have to stress these positive aspects too. Though the two poems 'The Blossom' and 'The Sick Rose' come in the sections of 'Innocence' and 'Experience' respectively they can be taken as two characteristic specimens for comparison and contrast. In both poems the subject matter is sexual intercourse, and what is more they are symbolic too. But in 'The Sick Rose', we sense, quite vividly, a reserved and artificially disciplined approach towards the subject of sex. On the other hand 'The Blossom' has a frank, tender and an unorthodox view towards the very topic, but often we may doubt that The Blossom treats sex too trivially and attributes to it an unnecessary and too great an amount of purity. Instead of the tilting blossom of 'The Blossom' here we have a storm, a terrifying and raging wind: but it is all the more thrilling and thriving. Admittedly, the 'Rose' is Sick', yet not devoid of its natural floral 'bed of crimson joy'. The 'Rose' is relatively 'earthly', rather than heavenly which the 'Blossom' is. The final contrast we come across is that in 'The Sick Rose' the poet explores the dark recesses of the being and comes up with gems of beautiful perception.
Symbolism:
The complex and vague erotic ideas are
skilfully transformed into a poem by the poet. The poem helps us visualise a
cankered rose plant in a stormy night. But there is more than what meets our
eye. The Rose is sick of selfishness. Its innocence suffers slow death and ruin
from, the worm or experience. The poet's flight of imagination materialises as
the poem stretches into still greater dimensions of meaning and implication. In
the words of Mr. Wolf Mankowitz, the kernel of the poem is explicit: "The
priests of the Chapel who bind joy and desire with briars are like Night and
its attributes in the first two poems. They are black against the light of joy
and desire and their darkness is not only their own, but their Chapels and the
society in which the institutional 'Thou shalt nots' are given rein".
These 'Thou shalt nots' are the social taboos pronouncing 'don'ts' as Bertrand
Russell says in his essay 'Happy Man.
"The joy and desire which are thwarted here, are
attacked by a worm in the 'Sick Rose' poem. Here it is immediately apparent
that the rose which sickens is a mortal rose. The human rose is attacked by a
worm which possesses a 'dark secret called Love', and it is an evil power which
destroys the life of the rose. The flower is attacked in its 'bed of crimson
joy' and this last imageric phrase can only stand for the sexuality of the
mortal rose. The argument of the 'Sick Rose' differentiates between love and
sexuality. Love here is destructive, it is a night-force, one of the links in
the chain which binds delight in the Earth's Answer. But sexuality, the
experience in the 'bed of crimson joy' is the very centre of the life of the
rose. When it is attacked the flower sickens and dies. What then is the love
which destroys it? Blake uses the word deliberately, and if we think of it as a
counter in a commonly played game of communication we shall more clearly see
his intention. He uses a personal expression to convey the experience of
sexuality because it is something which he has discovered, as it were for
himself. But if he has discovered it, it is in spite of love as it is commonly
called. Blake is concerned in this short poem with an incredible area of
experience. In it sexuality is revealed as the basis of life, the social
concept of love, as something destructive to life. Love in its social
definition is a negative creed of secretive joyless forbidding : love in
Blake's experience is a vital malter of joy, open and sensuous. The insistence
upon the need to keep sex open and honest and not 'a dirty sore' is incidentally,
just one of the points at which Blake reminds one of D.H. Lawrence. The
experience of the sick rose is one which both men recognised, deducing from it
similar conclusion. 'The Sick Rose' poem is the concrete expression of Blake's
experience of the corrupting effects of 'social' love upon 'creative'
sexuality. This last sentence emerges as the gist of the meaning of the poem.
'The Sick Rose' illustrates Blake's art of song as C.M. Bowra says. The brief poem illustrates in an astonishing way Blake's gift for distilling a complex imaginative idea into a few marvellously telling words. It conjures up the vision of a rose attacked in a stormy night by a destructive worm, and so Blake depicts it in his accompanying illustration. But as in all symbolical poems, we can read other meanings into it and make its images carry a weight of secondary associations. We may say that it refers to the destruction of love by selfishness, of innocence by experience, of spiritual life by spiritual death. All these meanings it can bear, and it is legitimate to make it do so. But the actual poem presents something which is common and fundamental to all these themes. something which Blake has distilled so finely from many particular cases that it has their common quintessential character. And this Blake sees with so piercing and so concentrated a vision that the poem has its own independent life. and needs nothing to supplement it. If we wish to know more about Blake's views on the issues at which the poem hints, we may find them in his prose works and prophetic books. But here he is a poet, and his thoughts are purified and transfigured in song.
Mysticism, Sexuality and Symbolism, but Simple
Northrop Frye stresses a good deal on the
directness and simplicity of the poem, 'The Sick Rose'. It is a piece at once
mystic, symbolic and sexual. But Blake never dresses his thoughts as he does in
his ironical outcries, in a set of questions, primarily because he is
exceptionally conscious of the seriousness of the matter he deals with. The
complex network of wordy and elaborated jargons of mysticism never acquire
their place in the poem, He reaches the universal Truth (which lies no doubt,
in exposing the false social noris) with the help of natural and at images of a
rose and canker. Yet greater experience with literature soon shows that it is
metaphor which is direct and primitive, and conceptual, thought which is
sophisticated. Hence, there is a body of verse that can be called popular in
the sense of providing the direct, primitive, metaphorical key to poetic
experience for educated and uneducated alike. One may always meet a poem with a
set of questions designed to avoid its impact; what does it mean; why is it
considered a good poem; is it morally beneficial; does it say profound things
about life, and so forth. But such a poem as 'The Sick Rose' has a peculiar
power of brushing questions aside, of speaking with the unanswerable authority
of poetry itself. Blake's lyrics with many of those of Herrick, Burns, and
Donne, the sonnets of Shakespeare. Wordsworth's Lucy poems and a few of the
great ballads, are popular poetry in the sense that they are a practically
foolproof introduction of poetic experience.
Introduction to the Author William Blake
William
Blake was an English poet. He was born in London, England, on 28th November
1757. Blake was not only an English poet, but a visionary poet of all
ages. He lived during Romantic age and his works depict the age of that time.
His work could not get fame during his life but later on he turned out to be a
visionary poet of all the ages. He was against race discrimination and wrote
for the equal rights. He also raised child labor issues in his writings and
other major issues of his age in his poetry.
Introduction to A Poison Tree
A Poison Tree is a short poem and one of the most appreciated works of
William Blake. Initially, this poem was published in his collection of Songs Of
Experience in the year 1794. A Poison Tree is a
descriptive poem that depicts human emotions and their consequences.
This poem was published with the title A Poison Tree in 1830 in
the London University Magazine. Although Christian Forbearance was its original title and later
on it was changed to reflect better thoughts of the poet.
A Poison Tree is about the
hatred and corrupted effects of anger towards
others. In the poem, Blake shares his experiences with us that once he was
angry with one of his friends and told him about the matter of annoyance.
Consequently, the anger vanished away and both became friends again. In
contrast, he tells that once he was angry over his enemy but he never told him
about the matter, the anger kept growing in his mind against enemy and forced
him to keep it hidden from his enemy. He symbolizes anger by a poison tree full
of fruits which Blake’s enemy happens to steal and consequently dies.
Summary
of A Poison Tree
The poem, A poison tree in
comprised on four stanzas. Here is stanza wise summary of A Poison tree for
better understanding.
Summary of stanza 1
The poet says in first stanza
that once he was angry with his
one of the friends due to any reason and
he told him clearly about it. By doing so, all his anger against his friend
vanished away and again they became friends.
In second half of first stanza,
poet narrates another experience that once he got angry with his one enemy and
did not tell him about it. This time anger stared growing in poet’s mind.
In the first stanza, we come to
know that how it is easy to reconcile with a friend if we clear doubts and
misunderstandings. However, on the other hand, if we do not talk to someone
when we are angry with him; anger and hate will keep growing in our mind
against enemy.
Summary of stanza 2
In second stanza, poet
elaborates his experience that he watered his anger every day and night in
fears of disclosing it to his enemy. He also shed tears because of hate. Here
poet wants to tell that he failed to give up his anger that causes him fear and
tears. Wrath kept growing in poets mind by day and night because he feared to
reveal it to enemy and in this way memory of ill-activity remained alive in his
mind.
In the last two lines of second
stanza, Blake says that he sunned his
anger with smiles and soft
deceitful wiles. Here poet symbolizes his anger
as a tree which is as growing in his mind as tree grows in light of sun. In
last line, poet says that the deceitful tricks (hiding anger) made the tree
grow up in poet’s mind.
Summary of stanza 3
In third stanza, poet explains
that the tree kept growing day and night and finally one day it became a full grown tree with a
bright apple. “Bright Apple” depicts here something
which attracts his enemy to eat it. However, deceitful tricks like deceit and
hate made this bright apple fully grown and it is harmful for the enemy
Many critics compare this
bright apple with the apple of the Heaven that was forbidden for Adam to eat as
believed in Christian and Islamic Theology. Adam and Eve were attracted by
Satan (Lucifer) to eat the forbidden apple but it caused a disaster in their
lives and they were expelled from the Heaven. Here poet wants to tell that like
Lucifer, he kept hidden his intentions and kept smile on his face that caused
harm to his enemy.
Some critics refer this bright
apple to some of written works of Blake which were stolen by one of his friends
and caused shame for his friend latter on.
Summary of stanza 4
In last stanza poets tells
about the consequences of that bright apple. Like Adam and Eve, the poet’s
enemy stole the bright apple from the garden at night and ate it. Later on, in
the morning, the poet is happy when he looks at his enemy lying dead under the
tree. Here poet compare himself with Satan as Satan was also glad to see Adam
and Eve being expelled from Heaven.
The message poet wants to covey
is that anger and hatred make one like Satan and when he plans to take revenge
for something bad done to him, one forgets the consequences. Morally, poet
tells us that we should clear our misunderstanding until they become like a
bright apple that can cause harm.
Analysis of A Poison Tree : Critical appreciation
The poem reveals the power of
anger if not controlled at initial stage. Anger is an aggressive and dangerous
emotion that we all possess as human beings. In the poem, Blake has stated
clearly at the start that when we give up our anger, we can escape from drastic
consequences of grown up anger. When poet forgives his friend, he saved himself
as well his friend from the harm of the hatred.
When poet keep anger in his
mind and it keeps growing by different ways elaborated in the poem cause deadly
harm to the enemy of the poet. Instead of clearing doubts and grievances he
remembered every little thing that he has wrongly done to put him down and
harmed him dreadfully.
Blake clearly states that he
intentionally did not forgive his enemy, even though he could. If first case,
poet did so and saved his friend from the harm but he did not did so in case of
enemy.
Poet tries to explain it by a
Biblical reference that when Adam and Eve were forbidden to eat apple but Satan
urged them to eat that apple that caused them to being expelled from the
Heaven. In the same way, here poets states that if he did not save him his
enemy, even though he could save. He did the same act as the Satan did in
expelling them from the Heaven. Poet passed smile towards his enemy as Satan
urged Adam and Eve politely by hiding internal enmity. And finally poet became
glad when his enemy was stretched beneath the tree; he also followed Satan who
became glad when Adam and Eve were expelled from the Heaven for eating
forbidden apple.
The poem ‘A Poison Tree’ is one
of the most striking explorations of the corrupting effects of wrath and hatred
in English literature. Blake’s portrayal of anger, bitter, and wrath show the
deep level of seriousness rampant in the poem. It is also one of William
Blake’s miniature masterpieces.
Major
Themes in the Poem
Major themes of the poem, A Poison Tree,
are anger, hatred, and revenge. The poem explores the disastrous effects of
unexpressed anger that causes to grow hatred. Blake as a visionary writer,
dives deep into the darker side of human mind and tries to explain the harm
that anger can do. He also explains in the start of the poem that it is quite
easy to forgive someone before start of growing of hatred but when it starts to
grow, its outcome is drastic.
Symbolism
in the Poem
Symbolism is a literary
device where something is used to signify ideas and qualities, giving them
symbolic meanings different from literal meaning.
In this poem
· Tree symbolizes wrath and anger or loss of
patience.
· Garden is the symbol of the heart
where the hatred is natured.
· Bright apple depicts vengeance.
Sources:
·
https://literarydevices.net/london/
· https://www.englishliterature.info/2021/02/the-sick-rose-summary-and- analysis.html
· https://literaryenglish.com/summary-and-analysis-of-a-poison-tree-by-william- blake/
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